A double-sided leporello (the first two rows are the first side, rows three and four the second side). Kurt Kranz was a student at the Bauhaus (though it seems he made this at the age of seventeen, before starting at the Bauhaus), where he took course with Paul Klee and Kandinsky. In the introduction to the anthology, I speculated that his interest in abstract sequential art may have influenced his teachers.
And from the recent MoMA show, Bauhaus 1919-1933: Workshops for Modernity, here is Kranz's 1930 Untitled picture series (Project for an abstract color film):
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